Lina and the Lantern Library
A finished manuscript becomes a paced picture-book sequence with a locked heroine, a recurring lighthouse library, and editable typography.
The first three projects show every finished page, from the author’s manuscript to the downloadable book. The other nine stop earlier — one visual direction and a proposed page plan — and say so plainly instead of posing as completed books.
A finished manuscript becomes a paced picture-book sequence with a locked heroine, a recurring lighthouse library, and editable typography.
A classroom script becomes eight clear visual cards for naming intensity without assigning a good or bad label to a feeling.
A lyrical fantasy manuscript is separated into page turns, quiet spreads, and reveal moments before the rest of the book is generated.
A teacher’s neighborhood walk becomes a readable visual sequence about scale, symbols, and routes.
A short regulation story uses one repeatable sequence rather than a collection of generic calming tips.
Instrument descriptions become a narrative concert with visible sound families and a clear page rhythm.
A simple science script becomes a visual morning-to-evening experiment.
A woodland correspondence story establishes two recurring characters and a reusable environment kit.
A worksheet concept becomes an illustrated sharing problem with manipulable visual pieces.
A longer manuscript gets a scene inventory before its mechanical fantasy world is illustrated.
A bilingual lesson preserves short paired phrases outside the artwork so both languages stay editable.
A repair-club manuscript becomes an object-focused sequence with legible diagrams added during layout.